Pabst's film: "Geheimnisse einer Seele") became the symbol of the absolute power rediscovered by Germany. At this period of economical restoration, madness which could henceforth be cured on the psychoanalyst's couch (acc. On the contrary in the course of the so-called "relative stabilization" (1924-1929) the meaning of the representation of madness is totally different from the representation of the previous period. The same equivalence, the same symbolization can be found in the cinema of the thirties when the crash of Wall-Street foretells a crisis like the former. The political and ideological chaos of the immediate post-war years was symbolized in the allegorical imagery of unreason in the expressionist cinema. ĭuring these twenty years, from 1913 to 1933, of the history of the German cinema, the cinematographic representation of madness varies according to the fluctuations of the social and economical background.
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